Jeux Olympiques! A round-up of the literary world’s participation in that… thing that everyone’s excited about.
July 27, 2012 § 24 Comments
The mister is outraged. We live in a TV-less abode and our basic internet package doesn’t cover live Olympic streaming through NBC.
I’m only aware there’s a problem when a rather loud “NO. I would NOT” startles me from my book. He would not like to pay an extra seventy dollars on top of our existing sixty-something dollars for an upgrade.
But he would very much like to see the games, poor dear, especially those esoteric sports like fencing and trampoline, though he does draw the line with dressage which, in case you don’t know, are freaking dancing horses.
(On another weird note, I admit I’m quite intrigued by this now-discontinued Club Swinging event thingy. It gives me a touch of déjà vu; though in my memory I’m wielding wine bottles and am barefoot on the streets of Dublin…)
The point is: he’s in a huff and I’m in my book and can’t quite relate, though I do feel for him. I just don’t care about it all that much myself.
But I’m trying.
In an attempt to make an effort and engage with the Games in a way that makes sense to me, I googled something like ‘the Olympics in Literature’ and came up with all sorts of fascinating goodies. I was thinking something along the lines of a good book or a poem that features the Games in some way. Little did I know that Literature itself performed in the Olympics: in the early modern Olympic Games, from 1912 to 1952, medals were awarded in the Arts for works inspired by Sport.
Apart from these know-it-sporty-alls:
The Village Voice takes it all the way back to 440BC and “a struggling, celebrity-hungry, young prose stylist named Herodotus” who decides to debut his work at the Olympic Games:
“According to the admiring author Lucian, when the festival had begun—it usually attracted some 40,000 spectators to the remote sanctuary of Olympia—Herodotus waited for a decent crowd to gather in the cavernous Temple of Zeus, then proceeded to recite his golden prose. The audience was utterly transfixed; word raced around the Olympic venue that a hot young author was on the scene. Not only did hundreds of Greek celebrities vie to hear Herodotus read in the five days of the sports festival, but they carried his name after the games to the far corners of the ancient world. “By this time he was much better known than the Olympic victors themselves,” notes Lucian enviously—which is saying quite a lot, since athletic champions were revered as virtual demigods by the Greeks, a cross between NFL players and rock stars.”
Also chiming in, The New York Times waxes sporty poetry and unearths this 1924 Paris games gold-medal-winner “Jeux Olympiques”:
(“The runners bend, tense flowers, . . . / A shot: A violent word! / And suddenly / Necks extended, forward / like stalks / faces like pale snatched / apples, / teeth and jaws rushing into / space.”)
All wonderful places to start from if you’re ever planning on taking a class at East Tennessee State University on the Olympic Games and Literature. Course objectives include recognizing how and why authors use the Olympics to express viewpoints about the human condition, and analyzing gifted writers who use the Olympics as a metaphor.
I’m not convinced, though. And I’m not alone. Shakespeare couldn’t stand all that sporty stuff. I wonder what he’d make of being a part of tonight’s opening ceremony in London? Not much, says this Guardian book blog.
In the old Bard’s words:
“‘I am not gamesome. I do lack some part of that quick spirit that is in Antony. Let me not hinder, Cassius, your desires. I’ll leave you.'”